The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 17-22, 2019 in Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

There will also be time to explore the city of Paris in all of its historical, literary, and romantic charm. Situated in heart of Paris’ Montparnasse neighborhood, amongst the fresh and popular open air markets and charming boutiques, the hotel stay is full of Parisian charm and our classes will take place in a beautiful Moroccan themed room that opens to a courtyard that can also be used by our writers.

Retreat activities will include craft of writing seminars and creative writing workshops, literary tours of Paris. If you’re serious about writing and want to soak in some exquisite French culture this summer, join our retreat in Paris! Tuition is $3250, which includes lodging in central Paris, daily creative writing workshops and writing seminars, daily breakfast, and a walking tour of “literary” Paris.

Faculty includes internationally renowned author Kazim Ali (fiction, poetry), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, nonfiction, fiction).

If you’d like to join us in Paris, please apply online by May 15, 2019, and include $10 application screening fee and a 5-10 page writing sample of poetry or prose.  Please also include the following in your cover letter:

1. Full Legal Name
2. Contact & Address
3. Age & Nationality
4. Prior creative writing experience and publications
5. Creative writing goals for the retreat
6. Short one paragraph biography
7. Contact of Two Personal References (Name, Email, Address, Phone, Relationship to Applicant)

(Due to limited seats, early applications are encouraged, but check for rolling admission after deadline, depending on availability). More information available at cww.nyc.

Deadline: May 15, 2019

Featured Faculty:

Kazim Ali was born in the United Kingdom to Muslim parents of Indian, Iranian and Egyptian descent. He received a B.A. and M.A. from the University of Albany-SUNY, and an M.F.A. from New York University. His books encompass several volumes of poetry, including Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books’ New England/New York Award; The Fortieth DayAll One’s Blue; and the cross-genre text Bright Felon. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. Ali has taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary's College of California, and Naropa University. He is currently a professor of Literature and Writing at the University of California, San Diego.

Rita Banerjee is the Executive Creative Director of the Cambridge Writers’ Workshop and editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018).  She is the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018),which was named one of Book Riot’s “Must-Read Poetic Voices of Split This Rock 2018”, was nominated for the 2018 Kate Tufts Discovery Award, and was selected by Finishing Line Press as their 2018 nominee for the National Book Award in Poetry.  Banerjee is also the author of the novella “A Night with Kali” in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She received her doctorate in Comparative Literature from Harvard and her MFA in Creative Writing from the University of Washington, and she is a recipient of a Vermont Studio Center Artist’s Grant, the Tom and Laurel Nebel Fellowship, and South Asia Initiative and Tata Grants. Her writing appears in the Academy of American PoetsPoets & Writers, Nat. Brut.The ScofieldThe Rumpus, Painted Bride Quarterly, Mass Poetry, Hyphen Magazine, Los Angeles Review of BooksElectric Literature, VIDA: Women in Literary Arts, AWP WC&C Quarterly, Queen Mob’s Tea House, Tahoma Literary Review, Riot Grrrl Magazine, The Fiction Project, Objet d’Art, KBOO Radio’s APA Compass, and elsewhere. She is the Director of the MFA in Writing & Publishing program at the Vermont College of Fine Arts, an Associate Scholar at Harvard, and the judge for the 2017 Minerva Rising “Dare to Speak” Poetry Chapbook Contest. She is currently working on a novel, a documentary film about race and intimacy, a book on South Asian literary modernisms, and a collection of lyric essays on race, sex, politics, and everything cool.

Diana Norma Szokolyai is a writer and Executive Artistic Director of Cambridge Writers’ Workshop. Her edited volume, CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, will be released by C&R Press in May 2018.  She is author of the poetry collections Parallel Sparrows (honorable mention for Best Poetry Book in the 2014 Paris Book Festival) and Roses in the Snow (first runner-­up Best Poetry Book at the 2009 DIY Book Festival). She also records her poetry with musicians and has collaborated with several composers including David Krebs (US), Robert Lemay (Canada), Claudio Gabriele (Italy), Peter James (UK), Jason Haye (UK), and Sebastian Wesman (Estonia). Diana Norma is a founding member of the performing arts groups Sounds in Bloom, ChagallPAC, and The Brooklyn Soundpainting Ensemble. Her poetry-music collaboration with Flux Without Pause, “Space Mothlight,” hit #16 on the Creative Commons Hot 100 list in 2015, and can be found in the curated WFMU Free Music Archive. Her work has been recently reviewed by The London Grip and published in VIDA: Reports from the Field, The Fiction Project, Quail Bell Magazine, Lyre Lyre, The Boston Globe, Dr. Hurley’s Snake Oil Cure, The Dudley Review and Up the Staircase QuarterlyThe Million Line Poem, The Cambridge Community Poem, and elsewhere, as well as anthologized in Our Last Walk, The Highwaymen NYC #2, Other Countries: Contemporary Poets Rewiring History, Always Wondering, and Teachers as Writers.  She is currently at work on her next book and an album of poetry & music.  Diana Norma holds a M.A. in French (UCONN, La Sorbonne) and an Ed.M in Arts in Education (Harvard).

FAQ:

What Happens After I apply?

Once you apply, you can expect to hear from us within 7-10 days and know whether you were accepted into the program. Once you are accepted, you will receive a welcome packet with detailed information regarding the program.

What is the process of paying tuition?

Once you are accepted into the program, you will need to pay a 30% tuition deposit  to hold your seat within 3-5 days of acceptance. Please note that the deposit is non-refundable. The remainder of tuition will be due by May 15, 2019.  Our standard and preferred method of payment is PayPal invoice, which does have a service fee. You can also mail us a check to:

Cambridge Writers’ Workshop, Inc.
PO Box 380482
Cambridge, MA 02238 USA

What is included in tuition?

  • lodging in central Paris
  • daily breakfast
  • creative writing workshops
  • craft of writing seminars
  • manuscript consultation
  • a literary walking tour Paris
  • a celebratory meet-&-greet dinner with faculty

Where will the program be held?

The program will be held at Hôtel Denfert-Montparnasse, 70 rue Daguerre, 75014 Paris, France.

What if the deadline has passed?  Can I still apply?

Sometimes, we do have seats open after our deadlines have passed.  Please apply or just email us directly at directors[at]cambridgewritersworkshop.org to check whether there is still availability.

The Cambridge Writers’ Workshop Summer in Paris Writing Retreat will take place July 17-22, 2019 in Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects.

Faculty includes internationally renowned author Kazim Ali (fiction, poetry), Diana Norma Szokolyai (poetry, nonfiction), Rita Banerjee (poetry, nonfiction, fiction). Deadline for Scholarship Applications is May 15, 2019 for Paris.

Based on financial need and merit, limited scholarships of $250-$500 are available for our retreats.

If you are planning to apply for a scholarship for our 2019 Writing Retreats, please submit a retreat application above, and a separate scholarship application with the information requested below. Please indicate which scholarship you are applying for, your reasons for applying, and which retreat you would like to be considered for.


  • Diversity Scholarship: Diversity scholarships will be offered to people of color who show a commitment to creative writing. In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Student Scholarship: Student scholarships will be offered to students (both undergraduate and graduate, full or part time) who show a commitment to creative writing. In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).
  • Writer/Parent Scholarship: Writers/Parent scholarships will be offered to writers who show a commitment to creative writing and are raising children (infant through college). In your one-page cover letter, please describe how our writing retreat would make a difference in your writing life. Include a short bio (150-200 words).

Please email info@cambridgewritersworkshop.org if you have any questions.

The Cambridge Writers’ Workshop welcomes submissions of poetry, fiction, nonfiction, mixed-genre work, plays, and screenplays on the topic of “Disobedient Futures” for our new speculative literature anthology.  Writers are encouraged to imagine what the future cultures of America and the world might look like, and submit their work on the following topics:

Disobedient Women: How might women, feminists, and/or non-binary individuals disobey and reconfigure our understandings of power and femininity and masculinity in the future?

Disobedient Tribes: What if Americans found a way to subvert racial categories and challenge tribalism and cultures of fear? How might tribes disobey the rules of the game and create new types of community identities and cultural bridges?

Disobedient Class: Could Americans in the future overcome systems of class oppression and capitalist gluttony? How might individuals in the future subvert class hierarchies?

Disobedient Futures: Tell us what the future cultures of America and the world have in store. How might the emerging generations of today and tomorrow reconfigure today’s value systems, challenge today’s modes of violence, oppression, and power, and create new visions of society?  Give us your best speculative writing which explores the possibilities and disruptions of disobedient futures.

Writers are welcome to submit utopian, dystopian, parallel history, futuristic, alternative reality, speculative essay, and even purely speculative fiction, nonfiction, poetry, and theatre.  Optimistic and pessimistic tales of the future are welcome in equal measure, but gratuitous violence and discrimination are not.  

Poetry submissions should be 3-5 pages in length.  Prose submissions can be 10-20 pages in length.  Excerpts from longer works with synopses are welcome.  Visual art related to these categories of Disobedient Futures is also welcome.  Translated work in which rights have been obtained by the translator and cleared is welcome.  Dual-language work is welcome.  Please write to us at info@cambridgewritersworkshop.org if you have any questions regarding mixed-media, multi-media, translation, or dual-language submissions.  

Writers and artists may submit to more than one category with separate submissions.  Submission fees allow us to pay our accepted authors.  Submit your retelling of the future today!

Submit your work at cww.submittable.com
Deadline: May 15, 2019

Editing & Communications Internship

Hours: 5-10 hours per week (Cambridge, MA or remote commuting)

Duration: 6 months (renewable)

Deadline & Guidelines:  Applications due May 15, 2019. Submit a cover letter and résumé online at cww.submittable.com

The Cambridge Writers’ Workshop, Inc. seeks interns for our editing & communications team.  Interns will gain experience in:

 - Copyediting promotional materials (print & web)
- Formatting pieces for the web
- Editing and generating web content (blogging about literary topics)
- Editing and generating newsletter content
- Contributing to our Tumblr, Twitter, and Facebook pages
- Attending regular meetings with the executive board

Ideal candidates:
- Possess energy, enthusiasm, sense of humor, people skills, creativity
- Have organizational skills, strict attention to detail, & ability to meet deadlines
- Have fluency in internet and social media (esp. Twitter, Facebook, Tumblr, and WordPress)
- Strong interest editing/publishing experience
- Experience with Photoshop & HTML helpful but not necessary

Address the following questions in your cover letter:

  1.  What makes you excited about interning with the Cambridge Writers’ Workshop?
 2.  How will your skills help us as an organization?
 3.  What skills do you hope to gain from your experience with the Cambridge Writers’ Workshop?

*  This is an unpaid internship but Federal Work Study hours may apply.   Please inquire about details at directors@cambridgewritersworkshop.org


Media Arts Internship  

Hours: 5-10 hours per week (Cambridge, MA or remote commuting)
Duration: 1 year (renewable)
Deadline & Guidelines: Applications due May 15, 2019. Submit a cover letter and resume via cww.submittable.com

The Cambridge Writers’ Workshop, Inc. seeks interns for our creative media team. Interns will further their knowledge in the following areas:

  • Editing and producing podcasts and videos for podcast platforms such as SoundCloud, iTunes, etc. and video platforms such as Vimeo, YouTube, etc.
  • Researching new media platforms and techniques
  • Copy editing promotional materials (print & web)
  • Formatting pieces for the web
  • Contributing to our Tumblr, Twitter, and Facebook pages
  • Attending regular meetings with the executive board

Ideal candidates:

  • Have experience and familiarity with audio programs including, but not limited to, Audacity, Adobe Audition, WavePad, etc., as well as video programs including, but not limited to, Adobe Final Cut and Premier, iMovie, Avid, etc.
  • Have experience producing content on a timely basis
  • Possess energy, enthusiasm, sense of humor, people skills, creativity
  • Have organizational skills, strict attention to detail, & ability to meet deadlines
  • Strong interest audio/video editing and publishing experience

Address the following questions in your cover letter:

  1. What makes you excited about interning with the Cambridge Writers’ Workshop?
  2. How will your skills help us as an organization?
  3. What skills do you hope to gain from your experience with the Cambridge Writers’ Workshop?

Please also include an audio/video portfolio with at least 3 media files (URL links to files are fine) that you have created.

* This is an unpaid internship but Federal Work Study hours and course credit may apply.  Please inquire about details at directors@cambridgewritersworkshop.org



Graphic Design Internship

Hours: 5-10 hours per week (NYC or remote commuting)
Duration: 1 year (renewable)
Deadline & Guidelines: Applications are due May 15, 2019. Submit a cover letter, resume and portfolio online.

The Cambridge Writers’ Workshop, Inc. seeks interns for our creative media team. 

Responsibilities include:

  • Attending regular meetings with the executive board
  • Designing clear and engaging graphic communications for print and web. This will include logos, branded promotional items, web site and social media graphics, posters, flyers, and other marketing materials as needed
  • Basic HTML coding
  • Researching creative inspiration
  • Reading and following art and design news

Ideal candidates:

  • Proficient in Adobe Creative Suite (Photoshop and InDesign)
  • Basic knowledge of HTML
  • Knowledge of Illustrator
  • Experience producing content on a timely basis
  • Possess energy, enthusiasm, sense of humor, people skills, creativity
  • Have organizational skills, strict attention to detail, & ability to meet deadlines
  • Interest or experience in publishing

Address the following questions in your cover letter:

  1. What makes you excited about interning with the Cambridge Writers’ Workshop?
  2. How will your skills help us as an organization?
  3. What skills do you hope to gain from your experience with the Cambridge Writers’ Workshop?

Please also include a portfolio with 3-5 posters, flyers or other marketing material samples you have previously completed.

* This is an unpaid internship but course credit or Federal Work Study hours and course credit may apply.  Please inquire about details at directors@cambridgewritersworkshop.org

Help support the Cambridge Writers’ Workshop by becoming a member of our NING Writers’ Network.  Your membership will help support our literary arts activities, workshops, and summer retreats.  We are grateful for any and all support from our members.

All pledged members will have full access to the Cambridge Writers’ Workshop Membership Site and will be eligible for special offers on workshops and events.  Members will also be able to share their creative work, post literary inquiries, network with others writers, and receive feedback on their work on the CWW NING Writers’ Network.

Membership:

  • $35 – Cambridge Writer’s Workshop Member & Ning Access
To sign-up for a one-year membership, please send us a short writing sample (1000 excerpt of prose or 3 pages of poetry) and complete the form below.

Cambridge Writers' Workshop